Riley Hanson & James Gregory AtkinsonRawr way I love friend in dinosaur

August 15, 2019–September 22, 2019Reception: Thursday august 15, 6–9pm

organized through Daisy Sanchez


James Gregory Atkinson, Hypersensitive (Blowing points out that proportion) III, 2018, Archival pigment publish on dibond. 65 x 43 inches.

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James Gregory Atkinson, Hypersensitive (Blowing points out of proportion) III, 2018. Archival pigment print on dibond, 65 x 43 inches.

James Gregory Atkinson, Hypersensitive (Blowing things out the proportion) II, 2017. Archival pigment publish on dibond, 65 x 43 inches.


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Rawr way I love you in dinosaurinitiates a dialogue in between two bodies of recent work through which Philadelphia-based artist Riley Hanson and Frankfurt-based multidisciplinary artist James Gregory Atkinson utilize digital photography together a way to investigate the connections in between the gendered dress expectations and also emotional vulnerability in miscellaneous subcultures.

Hanson’s portraits of emo and scene adolescents paint a soft tribute to the seditious youths the pioneered transgressive self definition through a merger of online and also actual identity, and taken on gender expectation defying settings of dress and embrace of emotional vulnerability. Hanson’s portraits that scene and emo teenagers are calculation from discovered images culled from a selection of online sources. Painted in swift strokes, the high quality of Hanson’s execution recalls the crude pixelation of at an early stage digital phone and also webcam photography—profile pics showing off fresh snake bites, moody mirror self in tight fitting tees, and also tagged shots of girlfriend in hefty eyeliner and also helmets the dyed hair—online relics the this community. These snapshots no intended to resurrect individual likenesses yet rather construct personalities that embody and also enliven their cumulative memory.

The emo subculture that emerged in the beginning of the brand-new millennium at first sprung from a genre of alternate rock identified by dark, emotionally lyricism. Members that this milieu that disenfranchised youth exist both on and also offline in the different landscapes of ethernet realms and real world terrain. Alienated from their normie peers and the boundaries of tendency culture, they were relegated come the edge of early on social media communication Friendster, MySpace, and also later Tumblr; they congregated in the mall hot Topics whose signature camp aesthetic, part sinister, component whimsy, pertained to define their defiant style in which differences in sex presentations were slight or not existent.

Atkinson’s big scale digital photographs,Hypersensitive (Blowing things out the proportion) IIandIII, record moments that emotional and also identity performance through very closely cropped shots of crying eye wearing costume contact lenses. Atkinson’s photographs nod come the relationship between the photographic lens and also the ocular lens, both transmitters of visual information and also mechanisms for developing images, which regularly serve together the basis of identification formation. Bulbous tears fine up the inside eyelids and also lashes of the ‘hypersensitive’ glazed over eyes sporting lenses published with a pink heart motif and also black and also white zebra print. As their titles suggest, the range of this inflated images illustrating intimate moments of vulnerability alludes come an overblown, emotional response perhaps emboldened by the masking result of the costume lenses. Conjure increase associations v The lenses obscure the iris and conceal the wearer’s identity, which is additional abstracted by the nearby crop, allowing them to take on a constructed identity of your choosing.

Costume call lenses have been donned through countercultural icon Marilyn Manson or more recently, sported through models top top the Balenciaga FW19 runway. Manson’s provocative persona is born the end of sex fluidity and the Balenciaga brand is in component defined by their comparable resistance come gendered expectations, having defied market standards by combined their men’s and also women’s runways right into a single unisex presentation backdropped by the techno society music.

Rawr means I love friend in dinosaur, often abbreviated together Rawr XD, may be check out as one infantilistic statement indicating regressed maturity could additionally be understood as a signal of social progression. The cutesy linguistic maneuver that this memetic ‘baby talk’ phrase resonated with many across the large digital levels as a means of expressing affection without having to explicitly state emotions or be straight vulnerable. The virtual ubiquity of this at an early stage memetic ‘baby talk’ phrase, gotten in into the ball of mainstream society as a renowned t-shirt slogan. Thanks, in part, to the emos and the ravers who were, by self definition, scene and club “kids”. On the cultural vanguard both on and off line, your agony or ecstasy to be contingent ~ above the music at the core of their subcultures in i m sorry costume is social currency and rejections of cursory sex performance led the means for your radical embrace of vulnerability.

Riley Hanson(b.1995, Akron, Ohio) lives and works in Philadelphia. Hanson deserve a BFA native Michigan University. Hanson’s current exhibitions incorporate Duck. Duck. Duck. Duck. Duck. Duck. Duck. Duck. Duck. Tom Cruise. No ar Gallery, Columbus OH, Bunk Notes team show, preserve by Olivia Williams, Pilot Projects, Philadelphia, and also When You care Too lot Your offal Slips Out, collection Bypass, Detroit, MI.

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James Gregory Atkinson (b. In poor Nauheim, Germany) right now lives and also works in between Seattle and also Frankfurt. Atkinson deserve a level in Photography and also Design native Lette-Verein, Berlin, has studied at the Cooper Union college of Art, brand-new York and also holds a Meisterschüler from Städelschule, Frankfurt. Recent exhibitions include “SHOW ME her SHELVES!” conceived by C& at the Detroit publicly Library and Re: Re: black Macho. Unleash The Queen, PPC Philipp Pflug Contemporary. Frankfurt, Germany.

Rawr way I love friend in dinosaurwas arranged by Daisy Sanchez v the assistance Francisco Correa Cordero Download push release