“Irregularly Disposed” Rooms in “The Masque of the Red Death” and Brett Zimmerman"s “Half” Dodecagon
pp. 76-78 write-up
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MARGINALIA This section is devoted to notes, comments, and also replies. Us wish to provide here one outlet for source studies and focused interpretations that do not feature the extended argument and proof customary in articles, because that items of unique interest the otherwise could not appear, and also for officially exchanges on appropriate scholarly and critical issues. Contribute should usually be native one to 4 paragraphs in length, although notes prolonging to five typescript pages are acceptable; all documentation should appear in brackets within the text. “IrregularlyDisposed” Rooms in “TheMasque of the Red Death”and Brett Zimmerman’s “Half”Dodecagon In Edgar Allan Poe: Rhetm’c and S t y together e . This diagram to represent the 7 rooms constructed by Prince Prosper0 in “The Masque the the Red Death” (1842) to store out the afflict of life (or “the fever referred to as ‘Living’”in Poe’s 1849 city “ForAnnie” ) as the 6 come 12 fifty percent of a dodecagon-shaped clockface. In a book replete with technological terminology, Zimmerman go not usage the g e e metrical term: a dodecagon is a polygon with twelve sides and also twelve angles. If this layout is to be understood as fifty percent a clockface, it would make an ext sense to identlfy the hour number 6 come 12 with six of those angles, however Zimmerman wants to equate the 7 rooms through those seven numbers (leaving an absent five rooms because that the hrs 1 to 5). His diagram of these seven rooms as half of a clockface is a misrepresentation since they would actually comprise fifty percent a clockface add to one surrounding segment that the various other half. The trouble is the Zimmerman desires the minute hand come progress only thirty minutes from 6 come 12 in order come accord v the case in the tale’s very first paragraph that “the totality seizure, progress and termination that the disease, were the cases of fifty percent an hour” The novel impacts are largely created by the man-made light indigenous fire braziers in the corridors either side “the windings the the suite,” filtered v windows tinted blue-purple, green, orange, white, violet, and, finally, scarlet. The “sharpturn” that one should make in moving from one room come the next (if the “twenty or thirty yards” is the distance from one set of doors come the next)-presumably a revolve approaching or exceeding ninety degree-is no what we find with Zimmerman’s seven rectangular rooms. The 7 turns are each identically gentle and Mara’nalia 77 the would stay the instance even if Zimmerman’s half clockfacewere accuratelydiagrammed as six rooms. The “sharpturn”from room come room only makes feeling if they are arranged as some type of zigzag, an knowledge that Zimmerman rejects: “Some readers have actually assumed the the native ‘irregularlydisposed’ define a suite that rooms that twists and also turns haphazardly through no real discernable pattern; Jeffrey Meyers, because that instance,writes of the ‘zigzagconstruction of the rooms’” <53;also view Meyers, EdgarAllan Poe:His Lifundhgaq (NewYorkScribner’s,1992),1341. Ns share Meyers’sview.
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There is no method of telling from the information detailed by Poe’s narrator i beg your pardon rooms space twenty yards...